Benutzer:Johann Jaritz/Big Yellow Taxi (Joni Mitchell Single)

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Chartplatzierungen
Erklärung der Daten
Alben[1]
Titel
  DE 11 01.01.2000 (10 Wo.)
  AT 11 01.01.2000 (10 Wo.)
  CH 11 01.01.2000 (10 Wo.)
  UK 11 01.01.2000 (10 Wo.)
  US 11 01.01.2000 (10 Wo.)
Singles
Titel
  DE 11 01.01.2000 (10 Wo.)
  AT 11 01.01.2000 (10 Wo.)
  CH 11 01.01.2000 (10 Wo.)
  UK 11 01.01.2000 (10 Wo.)
  US 11 01.01.2000 (10 Wo.)
Vorlage:Infobox Musiksingle

Big Yellow Taxi is a song originally written and performed by Joni Mitchell.

Mitchell got the idea for the song during a visit to Hawaii. She looked out of her hotel window at the spectacular Pacific mountain scenery, and then down to a parking lot.

Joni said this about writing the song to journalist Alan McDougall in the early 1970's :

"Living in Los Angeles, smog-choked L.A. is bad enough but the last straw came when I visited Hawaii for the first time. It was night time when we got there, so I didn't get my first view of the scenery until I got up the next morning. The hotel room was quite high up so in the distance I could see the blue Pacific Ocean. I walked over to the balcony and there was the picture book scenery, palm tree swaying in the breeze and all. Then I looked down and there was this ugly concrete car park in the hotel grounds. I thought "They paved paradise and put up a parking lot" and that's how the song "Big Yellow Taxi" was born."

[2] The song is known for its environmental statement (as assumed from the lyric "paved paradise to put up a parking lot") and sentimental sound. The line, "Took all the trees, put 'em in a tree museum/And charged the people a dollar and a half just to see 'em" refers to Foster Botanical Garden in downtown Honolulu, which is a living museum of tropical plants, some rare and endangered.[3]

In the song's final verse, the political gives way to the personal, as Mitchell recounts the departure of a father figure in the "big yellow taxi" of the title.

(In many covers the departed one may be interpreted as variously a boyfriend, a husband, or a father. Sometimes they are merely walking out on the singer; other times it is implied they are being taken away by authorities. This lends the song an almost dystopian feel.)

The song was first put out as a single and then was put on the album Ladies of the Canyon in 1970; a later live version was released in 1975 and reached #24 on the U.S. charts. Mitchell's playful closing lyrics has made the song the most identifiable in her repertoire, still receiving significant airplay in Canada. In 2005, it was voted #9 on CBC's list of the top 50 essential Canadian tracks.

In 2007, Joni Mitchell released the album Shine, which includes a re-work of the song.

Vorlage:Infobox Musiksingle

Jahr Titel Chartplatzierungen Anmerkungen
DE AT CH UK US
2006 Lied
Album
- - - - - Gold in Deutschland
2007 Lied
Album
- - - - -

Coverversionen

Many other artists have covered the song, including; Amy Grant, Counting Crows w/Vanessa Carlton, Sandi Thom, Kaya, Pinhead Gunpowder (featuring Billie Joe Armstrong from Green Day on vocals and guitar), Paul Tillotson, Moya Brennan, Keb Mo, Chris Thomas King, Keren Ann, the acappella quintet Toxic Audio, and Bob Dylan, who slightly rewrote the lyrics on the album Dylan, released in 1973.

A single version by the singing group The Neighborhood reached the Billboard Top 40 chart in the summer of 1971.

The song's title is referenced by Janet Jackson in her single "The Pleasure Principle," from Jackson's 1986 album Control. It is also sampled in Jackson and Q-Tip's single "Got 'Til It's Gone," from Jackson's 1997 album The Velvet Rope. The Counting Crows featuring Adam Duritz and Vanessa Carlton (on back-up vocals) cover of the song is featured on the soundtrack to the movie Two Weeks Notice this song became a big hit and still remains as one of their most well known and most aired songs. (2002).

Also the song has been performed as part of the finale during the 1997 Lilith fair tour with Indigo Girls, Jewel, Sarah McLachlan and Meredith Brooks . In 1996 a Big Yellow Taxi (Traffic Jam Mix) did peak US dance charts at #39 and was part of the Friends: Music from the TV series soundtrack album (see Joni Mitchell#Singles and External Links).

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