Quelltext der Seite Liste von Musiklabeln/H

{{SubTOCeasy|Index=Liste von Musiklabeln|Kopfseite=Liste von Musiklabeln|Titel=Musiklabel}}

== H ==
{| class="wikitable sortable collapsible collapsed" style="margin-bottom:10px;"
!Name Musiklabel
!Land
!Sitz
!Gründer
!Jahr-Von
!Jahr-Bis
!Labelcode
!Website
!Mutterlabel
!Details
|-
|[[H42 Records]]
|{{DEU}}
|[[Hamburg]]
|Jürgen Berndt
|2012
|
|
|
|
|
|-
|[[H&L Records]]
|{{USA}}
|
|Hugo Peretti und Luigi Creatore
|1976
|1979
|
|
|
|
|-
|[[H. R. S. Records]]
|{{USA}}
|
|Steve Smith
|1938
|
|
|
|
|
|-
|[[Hachama]]
|{{JPN}}
|
|Pony Canyon
|
|
|
|
|Up-Front Works
|
|-
|[[Hades Records]]
|{{ROU}}
|
|
|2000
|2011
|
|
|
|
|-
|[[Hänssler Classic]]
|{{DEU}}
|
|Friedrich Hänssler
|1975
|
|LC 06047
|
|Profil Medien GmbH
|[[Hänssler Verlag]]
|-
|Hänssler Musik
|{{DEU}}
|
|Friedrich Hänssler
|
|
|
|
|
|[[Hänssler Verlag]]
|-
|[[Hänssler Verlag]]
|{{DEU}}
|
|Friedrich Hänssler und  Friedericke Händler
|1919
|
|LC 07224
|
|
|2007 Fusion mit anderen evangelikalen Verlagen zum [[SCM-Verlag]] der [[Stiftung Christliche Medien]] 
|-
|[[Hakatak International]]
|{{USA}}
|
|Paul Robb
|1995
|
|
|
|
|
|-
|[[Halix Records]]
|{{DEU}}
|Augsburg
|Ayhan Uslu
|1980
|
|LC 52953
|[http://www.Halix-Records.de Halix Records]
|CILEM RECORDS INTERNATIONAL
|CILEM RECORDS INTERNATIONAL UG (haftungsbeschränkt)

(CAE/IPI Nummer von HALIX RECORDS: 859712987)
|-
|[[Haldern Pop Recordings]]
|{{DEU}}
|
|Stefan Reichmann
|2004
|
|LC 09219
|
|
|
|-
|[[Half A Cow]]
|{{AUS}}
|
|Nic Dalton, Miles Ferguson
|1990
|
|
|
|
|
|-
|[[Hall of Sermon]]
|{{CHE}}
|
|Tilo Wolff
|1991
|
|
|
|
|
|-
|[[Hallmark Records]]
|{{GBR}}
|
|
|1960er Jahre
|
|
|
|
|
|-
|[[Hallucination Recordings]]
|{{USA}}
|
|Monk and David Christophere
|
|
|
|
|
|
|-
|[[Halunkenbande]]
|{{DEU}}
|
|[[Baba Saad]] (Saad El-Haddad)
|2011
|
|
|
|
|
|-
|[[Hamburg Records]]
|{{DEU}}
|
|[[Flo V. Schwarz]]
|2002
|
|LC 12080
|
|
|
|-
|[[Hamilton Records]]
|{{USA}}
|
|
|1958
|
|
|
|Dot Records
|
|-
|[[Hammer Records]]
|{{HUN}}
|[[Budapest]]
|Lásló Lénárd
|1998
|
|
|
|Hammer Music Kft.
|
|-
|[[Hammerheart Records]]
|{{NLD}}
|
|Peter van Ool und Guido Heijnens
|
|
|
|
|
|Wurde 2004 in Karmageddon Media umbenannt wurde und 2011 unter altem Namen weitergeführt
|-
|[[Hammermill Records]]
|{{USA}}
|
|
|
|
|
|
|
|
|-
|[[Hammock Music]]
|{{USA}}
|
|Marc Byrd, Andrew Thompson
|2005
|
|
|
|
|
|-
|[[Hand Drawn Dracula]]
|{{CAN}}
|
|James Mejia
J. Araujo
|
|
|
|
|
|
|-
|[[Handsome Boy Records]]
|{{CAN}}
|
|Jeff Rogers
|1994
|
|
|
|
|
|-
|[[Hangars Liquides]]
|{{FRA}}
|
|Laurent Mialon
|1998
|
|
|
|
|
|-
|[[Hangman Records]]
|{{GBR}}
|
|[[Billy Childish]]
|
|
|
|
|
|
|-
|[[Hanna Barbera Records]]
|{{USA}}
|[[Los Angeles]]
|William Hanna, Joseph Barbera, George Sidney
|1957
|2001
|
|
|
|
|-
|[[Hannibal Records]]
|{{GBR}}
|
|Joe Boyd
|1980
|
|
|
|[[Rykodisc]]
|
|-
|[[Hansa Records]]
|{{DEU}}
|
|[[Peter Meisel]], Thomas Meisel und [[Christian Bruhn]]
|1962
|
|LC 0835
|
|[[Hansa Musik Produktion]]
|Wurde 1985 an den Unterhaltungskonzern [[Bertelsmann]] verkauft. Das Label ''Hansa'' wird von SonyBMG in München weitergeführt.
|-
|[[Hanson Records]]
|{{USA}}
|[[Oberlin (Ohio)|Oberlin, Ohio]]
|Aaron Dilloway
|1994
|
|
|
|
|
|-
|[[Happy Couples Never Last]]
|{{USA}}
|[[Indianapolis]]
|Clark Giles
|1998
|Erloschen
|
|
|
|
|-
|[[Happy Happy Birthday To Me Records]]
|{{USA}}
|[[Athens (Georgia)|Athens, Georgia]]
|Mike Turner
|
|
|
|
|
|
|-
|[[HappySad Records]]
|{{USA}}
|[[New York City]]
|Paul Levinson und Ed Fox
|1971
|
|
|
|
|
|-
|[[Happy Tiger Records]]
|{{USA}}
|[[Century City (Los Angeles)|Century City, Los Angeles]]
|
|1969
|Erloschen
|
|
|Flying Tigers
|
|-
|[[Hardwood Records]]
|{{CAN}}
|[[Toronto]]
|Hayden Desser
|1994
|
|
|
|
|
|-
|[[Harlekijn]]
|{{NLD}}
|
|[[Herman van Veen]]
|1968
|
|
|
|
|
|-
|[[Harmolodics]]
|{{USA}}
|[[New York City]]
|[[Ornette Coleman]] und [[Denardo Coleman]]
|1995
|
|
|
|
|
|-
|[[Harmona 3D]]
|{{AUT}}
|
|
|
|
|LC 04083
|
|
|
|-
|[[Harmonia Mundi]]
|{{FRA}}
|
|Bernard Coutaz
|1958
|
|
|
|
|
|-
|[[Harmony Records]]
|{{USA}}
|
|
|Mitte 1920er Jahre
|
|
|
|[[Columbia Records]]
|
|-
|[[Harriet Records]]
|{{USA}}
|[[Cambridge (Massachusetts)|Cambridge]]
|Tim Alborn
|1989
|
|
|
|
|
|-
|[[Harthouse]]
|{{DEU}}
|
|[[Sven Väth]], Matthias Hoffmann, Heinz Roth
|1992
|
|
|
|[[Daredo|daredo music GmbH]]
|
|-
|[[Harvest Records]]
|{{GBR}}
|
|[[EMI|EM]]
|1969
|
|
|
|
|
|-
|[[Hatchet House]]
|{{USA}}
|[[Royal Oak (Michigan)|Royal Oak]]
|Insane Clown Posse
|2007
|
|
|
|
|
|-
|[[HatHut Records]]
|{{CHE}}
|
|[[Werner X. Uehlinger]]
|1975
|
|
|
|
|
|-
|[[Haus der Musik (Wiesbaden)|Haus der Musik]]
|{{DEU}}
|
|[[Klaus Heizmann|Klaus Heizmanns]]
|Um 1990
|
|
|
|
|
|-
|[[Hausmusik (Label)|Hausmusik]]
|{{DEU}}
|
| Wolfgang Petters
|1991
|2007
|
|
|
|
|-
|[[Havoc Records]]
|{{USA}}
|[[Minneapolis]]
|Felix Havoc
|1992
|
|
|[https://www.havocrecords.com Website]
|
|
|-
|[[Hazelwood (Label)]]
|{{DEU}}
|
|Gordon Friedrich, Wolfgang Gottlieb und Denis Gudlin
|1996
|
|
|
|
|
|-
|[[Head Not Found]]
|{{NOR}}
|
|[[Metalion]]
|1992
|
|
|
|
|
|-
|[[Head Start Music Group]]
|{{USA}}
|
|
|2005
|
|
|
|
|
|-
|[[Headhunter Records]]
|{{USA}}
|[[San Diego]]
|
|1989
|
|
|
|
|
|-
|[[Headrush Records]]
|{{DEU}}
|
|Roman „Roe Beardie“ Preylowski und Emanuel Rehwald
|Anfang
1990er Jahre
|
|
|
|
|
|-
|[[Headsplit Records]]
|{{USA}}
|[[Portland (Oregon)|Portland]]
|Disgustor
|2007
|
|
|[https://headsplitrecords.blogspot.com Website]
|
|
|-
|[[Headwrecker Records]]
|{{GBR}}
|
|
|
|
|
|
|
|
|-
|[[Hear Music]]
|{{USA}}
|
|
|1990
|
|
|
|Concord Music Group and Starbucks
|
|-
|[[Heart Warming]]
|{{USA}}
|[[Nashville]]
|John T. Benson Jr.
|1962
|
|
|
|
|
|-
|[[Heartbeat Records]]
|{{USA}}
|[[Burlington (Massachusetts)]]
|Duncan Browne und Bill Nowlin
|1981
|
|
|
|Rounder Records
|
|-
|[[Heartbeat Records (Bristol)|Heartbeat Records]]
|{{GBR}}
|[[Bristol]]
|Simon Edwards
|1978
|
|
|
|
|
|-
|[[Hearts of Space|Hearts of Space Records]]
|{{USA}}
|
|Stephen Hill
|1984
|
|
|
|
|
|-
|[[Heaven Music]]
|{{GRC}}
|[[Athen]]
|
|2001
|
|
|
|ANT1 Group
|
|-
|[[Heaven Records]]
|{{GBR}}
|Nottingham
|Fat Tulips
|1989
|
|
|
|
|
|-
|[[Heavenly Records]]
|{{GBR}}
|
|
|1990
|
|
|
|
|
|-
|[[Heavenly Sweetness]]
|{{FRA}}
|
|Franck Descollonges
|2007
|
|
|
|
|
|-
|[[Hed Artzi Music]]
|{{ISR}}
|Tel Aviv
|Zvi Levin
|1946
|
|
|
|
|
|-
|[[Hed Kandi]]
|{{GBR}}
|
|Mark Doyle
|1999
|
|
|
|
|
|-
|[[Hefty Records]]
|{{USA}}
|Chicago
|John Hughes, Bill Ding und Dan Snazelle
|1995
|
|
|
|
|
|-
|[[Heidens Hart]]
|{{NLD}}
|
|Arjan Peeks
|Arjan Peeks
|
|
|
|
|
|-
|[[Heist Or Hit Records]]
|{{GBR}}
|[[London]] 
|Mick Scholefield
|2007
|
|
|
|
|
|-
|[[Helicon Records]]
|{{ISR}}
|
|Itzik Alsheikh und Ronny Brown
|1985
|
|
|
|
|
|-
|[[Heliodor (Label)]]
|{{DEU}}
|
|
|1953/ 1954
|
|[[Labelcode|LC]] 00765
|
|''[[Deutsche Grammophon|Deutschen Grammophon]]''
|
|-
|[[Hell, etc. (label)|Hell, etc.]]
|{{USA}}
|
|[[Marilyn Manson]]
|2010
|
|
|
|
|
|-
|[[Hellcat Records]]
|{{USA}}
|
|([[Tim Armstrong (Musiker)|Tim Armstrong]] und [[Transplants]]) und Chris LaSalle
|1997
|
|
|
|[[Epitaph Records]]
|
|-
|[[Hellhound Records]]
|{{DEU}}
|
|Tom Reiss, Michael Böhl
|1988
|1996
|
|
|
|
|-
|[[Hello CD of the Month Club]]
|{{USA}}
|[[Palisades (New York)|Palisades]]
|John Flansburgh und Marjorie Galen
|1993
|1996
|
|
|
|
|-
|[[Hello Cleveland!]]
|{{AUS}}
|[[Darlinghurst]]
|One Louder Management
|2001
|
|
|
|
|
|-
|[[Hellspawn Records]]
|{{SWE}}
|
|[[David Parland]]
|1994
|2003
|
|
|
|
|-
|[[Hep-Me Records]]
|{{USA}}
|
|Senator Jones
|
|
|
|
|
|
|-
|[[Hep Records]]
|{{GBR}}
|
|Alastair Robertson
|1974
|
|
|
|
|
|-
|[[Her Royal Majesty's Records]]
|{{CAN}}
|[[Vancouver]] 
|Bif Naked und Peter Karroll
|1995
|
|
|
|
|
|-
|[[Herald AV Publications]]
|{{GBR}}
|
|
|1984
|
|
|
|
|
|-
|[[Heritage Records (Australia)|Heritage Records]]
|{{GBR}}
|[[London]]
|Tony Standish
|1960
|
|
|
|
|
|-
|[[Hermes Records]]
|{{IRN}}
|[[Teheran]]
|Ramin Sadighi
|1999
|
|
|
|
|
|-
|[[Herwin Records]]
|{{USA}}
|
|Herbert Schiele und Edwin Schiele
|1924

1960er

Jahre
|1930
|
|
|
|Im Jahre 1930 wurde Herwin an die „Wisconsin Chair Company“ (die Mutterfirma von Paramount Records) verkauft. In den 1960er-Jahren wurde das Label von dem Plattensammler Bernard Klatzko wiederbelebt.
|-
|[[Herzog Records]]
|{{DEU}}
|
|Rüdiger Herzog
|2006
|
|
|
|
|
|-
|[[Hevy Devy Records]]
|{{CAN}}
|
|Devin Townsend
|
|
|
|
|
|
|-
|[[HGBS]]
|{{DEU}}
|
|[[Hans Georg Brunner-Schwer]]
|1980er
Jahre
|
|
|
|
|
|-
|[[Hi Records]]
|{{USA}}
|
|[[Ray Harris]], Bill Cantrell, [[Quinton Claunch]] und Joe Cuoghi
|1957
|
|
|
|
|
|-
|[[Hi Life Recordings]]
|{{GBR}}
|
|
|
|
|
|
|Polydor Records
|
|-
|[[Hi Or Hey Records]]
|{{AUS}}
|
|[[5 Seconds of Summer]]
|2014
|
|
|
|Universal Music Group
|
|-
|[[Hi-Tide Recordings]]
|{{USA}}
|[[Freehold (New Jersey)|Freehold]]
|Vincent Minervino und
Magdalena O’Connell
|2016
|
|
|[https://www.hitiderecordings.com Website]
|
|
|-
|[[Hib-Tone]]
|{{USA}}
|[[Atlanta]]
|Jonny Hibbert
|1981
|1985
|
|
|
|
|-
|[[Hickory Records]]
|{{USA}}
|
|Acuff-Rose Music
|1954
2007
|1979
|
|
|Sony/ATV Music Publishing
|
|-
|[[Hidden Beach Recordings]]
|{{USA}}
|[[Beverly Hills]]
|Steven McKeever
|1998
|
|
|
|
|
|-
|[[Hieroglyphics Imperium Recordings]]
|{{USA}}
|[[Oakland]]
|
|1995
|
|
|
|
|
|-
|[[HiFi Jazz Records|Hifi Jazz Records]]
|{{USA}}
|
|David Axelrod
|1958
|1969er Jahre
|
|
|
|
|-
|High Roller Records
|{{DEU}}
|[[Zwickau]]
|Steffen Boehm
|2003
|
|
|
|
|
|-
|[[High Street Records]]
|{{USA}}
|
|
|1990
|1997
|
|
|Windham Hill Records
|
|-
|[[High Voltage Records]]
|{{AUS}}
|[[Melbourne]]
|
|2001
|
|
|
|
|
|-
|[[High Water Recording Company]]
|{{USA}}
|
|[[David Evans (Musikwissenschaftler)|Dr. David Evans]] und der [[University of Memphis|Memphis State University]]
|1979
|
|
|
|
|
|-
|[[Higher Ground Records]]
|{{USA}}
|
|
|
|
|
|
|
|
|-
|[[Higher Octave]]
|{{USA}}
|
|
|
|
|
|
|
|
|-
|[[Higher State]]
|{{GBR}}
|[[London]]
|Marc Dillon und Patrick Dickins
|1992
|
|
|
|
|
|-
|[[Highland Records]]
|{{USA}}
|
|Sid Talmedge
|1959
|1969
|
|
|Malynn Enterprises
|
|-
|[[HighNote Records]]
|{{USA}}
|
|Joe Fields 
|1996
|
|
|
|
|
|-
|[[HighTone Records]]
|{{USA}}
|[[Oakland]]
|Larry Sloven
und Bruce Bromberg
|1983
|2008
|
|
|Shout! Factory
|
|-
|[[Hiljaiset Levyt]]
|{{FIN}}
|[[Tampere]]
|Jukka Junttila
|Mitte 1980er Jahre
|
|
|
|
|
|-
|[[HIM International Music]]
|{{TWN}}
|[[Taipeh|Taipei]]
|Lu Yan-qing
|1999
|
|
|
|
|
|-
|[[Hi-n-Dry]]
|{{USA}}
|[[Cambridge (Massachusetts)|Cambridge]]
|Mark Sandman
|
|
|
|
|
|
|-
|[[Hip Records]]
|{{USA}}
|
|
|1967
|
|
|
|Stax Records
|
|-
|[[Hip-O Records]]
|{{USA}}
|
|Doug Morris
|1996
|
|
|
|Universal Music Group
|
|-
|[[Hipposonic Studios]]
|{{CAN}}
|[[Vancouver]]
|Robert Darch
|1989
|
|
|
|
|
|-
|[[Hirntot Records]]
|{{DEU}}
|
|[[Blokkmonsta]] (Björn D.) und [[Uzi (Rapper)|Uzi]] (Thomasz Michaelis)
|2005
|
|
|
|
|
|-
|[[Historic Masters]]
|{{GBR}}
|[[Takeley (Hertfordshire)]]
|
|
|
|
|
|
|
|-
|[[Historical Records]]
|{{USA}}
|
|Arnold S. Caplin
|1965
|Erloschen
|
|
|
|
|-
|[[Hit of the Week Records]]
|{{USA}}
|[[New York City]]
|Durium Products Corporation
|1930
|1932
|
|
|Durium Products Corporation
|
|-
|[[Hobbledehoy Record Co.]]
|{{AUS}}
|[[Adelaide]]
|Tom Majerczak
|2006
|
|
|
|
|
|-
|[[Höhnie Records]]
|{{DEU}}
|
|[[Andreas Höhn]]
|1991
|
|
|
|
|
|-
|[[Hörzu (Label)]]
|{{DEU}}
|
|
|1963
|
|
|
|
|
|-
|[[Holiday Records]]
|{{USA}}
|[[Philadelphia]]
|Dave Miller
|
|1953
|
|
|
|
|-
|[[Holiday Inn Records]]
|{{USA}}
|[[Nashville]]
|Wayne Foster
|1961
|
|
|
|Holiday Inn
|
|-
|[[Hollywood Records]]
|{{USA}}
|
|[[Michael Eisner]]
|1989
|
|
|
|Disney Music Group
|
|-
|[[Holy Roar Records]]
|{{GBR}}
|[[London]]
|Alex Fitzpatrick und Ellen Godwin
|2006
|
|
|
|
|
|-
|[[Home Sweet Home Records]]
|{{USA}}
|[[Dallas]]
|Chris Christian
|1981
|
|
|
|
|
|-
|[[Homespun Records]]
|{{USA}}
|
|Rick Cassidy
|1967
|
|
|
|
|
|-
|[[Homestead Records (1920s)]]
|{{USA}}
|
|
|1920er Jahre
|Erloschen
|
|
|
|
|-
|[[Homestead Records]]
|{{USA}}
|
|Sam Berger
|1983
|1996
|
|
|
|
|-
|[[Homestead Records (CMOC)]]
|{{USA}}
|
|
|Mitte 1920er Jahre
|1932
|
|
|Chicago Mail Order Company (CMOC)
|Im Januar 1932 übernahm das [[Major-Label]] [[Victor Records]] die Produktion der Homestead-Platten
|-
|[[Homophon (Label)]]
|{{DEU}}
|
|Hermann Eisner
|1904
|1932
|
|
|
|Das Plattenlabel wurde 1904  gegründet und blieb unter diesem Namen bis 1908 aktiv. Schließlich unterlag die Firma Homophon in einem von der Firma Zonophon 1907 angestrengten Patentstreit am Königlichen Landgericht Berlin und wechselte im August 1911 zu dem Namen ''Homokord''. Allerdings wurde nur der Labelname geändert, die Firma hieß weiterhin Homophon.
|-
|[[Honest Don's Records]]
|{{USA}}
|[[San Francisco]]
|Fat Mike
|
|
|
|
|
|
|-
|[[Honest Jon's]]
|{{GBR}}
|[[London]]
|
|1974
|
|
|
|
|
|-
|[[Hoo-Bangin' Records]]
|{{USA}}
|[[Los Angeles]]
|Dedrick Rolison
|1996
|
|
|
|Universal Music Group
|
|-
|[[Hope Recordings]]
|{{GBR}}
|[[Bristol]]
|Leon Alexander und Steve Satterthwaite
|1998
|
|
|
|
|
|-
|[[Hopeful Tragedy Records]]
|{{CAN}}
|
|[[Your Favorite Enemies]]
|2007
|
|
|
|
|
|-
|[[HopeStreet Recordings]]
|{{AUS}}
|[[Melbourne]]
|Bob Knob und Tristan Ludowyk
|2009
|
|
|
|
|
|-
|[[Hopeless Records]]
|{{USA}}
|
|Louis Posen
|1993
|
|
|
|
|
|-
|[[Hope Music Group]]
|{{CMR}}
|
|
|2012
|
|
|
|Philjohn Technologies
|
|-
|[[Horizon Records]]
|{{USA}}
|
|Dave Hubert
|1960
|1980
|
|
|
|
|-
|[[Horo Records]]
|{{ITA}}
|
|Aldo Sinesio
|1972
|Ende 1970er Jahre
|
|
|
|
|-
|[[Horror House Entertainment]]
|{{USA}}
|[[New York City]]
|Flatlinerz
|2016
|
|
|
|
|
|-
|[[Horror Pain Gore Death Productions]]
|{{USA}}
|[[Philadelphia]]
|
|
|
|
|[https://www.horrorpaingoredeath.com Website]
|
|
|-
|[[Hosanna! Music]]
|{{USA}}
|
|
|
|
|
|
|
|
|-
|[[Hospital Records]]
|{{GBR}}
|
|Tony Colman, Chris Goss
|1996
|
|LC 12939
|
|
|
|-
|[[HOSS Records]]
|{{USA}}
|[[New York City]]
|
|2004
|
|
|
|
|
|-
|[[Hostile Recordings]]
|{{USA}}
|
|Rostik Litvak und George Burshteyn
|
|
|
|
|
|
|-
|[[Hot Wax Records]]
|{{USA}}
|[[Detroit]]
|Eddie Holland, Lamont Dozier und Brian Holland
|1968
|
|
|
|
|
|-
|[[Housecore Records]]
|{{USA}}
|
|[[Phil Anselmo]]
|2001
|
|
|
|
|
|-
|[[Household Name Records]]
|{{GBR}}
|
|
|1996
|
|
|
|
|
|-
|[[Houseworks]]
|{{CHE}}
|
|[[DJ Antoine]]
|1999
|
|LC 9667
|
|
|
|-
|[[Huayi Brothers]]
|{{CHN}}
|
|Wang Zhongjun und Wang Zhonglei
|1994
|
|
|
|
|
|-
|[[Hugpatch Records]]
|{{USA}}
|[[New York City]]
|Maxwell Williams
|2006
|
|
|
|
|
|-
|[[Hulk Räckorz]]
|{{DEU}}
|
|Band [[WIZO (Band)|WIZO]] zusammen mit Fratz A. Thum
|1990
|
|
|
|
|
|-
|[[Human Imprint]]
|{{USA}}
|[[New York City]]
|Damian Higgins
|2002
|
|
|
|
|
|-
|[[Humming Bird Records]]
|{{USA}}
|[[Waco]]
|
|Mitte 1920er Jahre
|Erloschen
|
|
|
|
|-
|[[Hungaroton]]
|{{HUN}}
|
|
|1951
|
|
|
|
|Wurde 1951 zunächst unter dem Namen „Qualiton“ als Staatsunternehmen gegründet
|-
|[[Hungry Music]]
|{{FRA}}
|[[Aix-en-Provence]] 
|[[Worakls]], N’to, Joachim Pastor
|2013
|
|LC 61344
|
|
|
|-
|[[Hush Records]]
|{{USA}}
|[[Portland (Oregon)|Portland]]
|Chad Crouch
|1997
|
|
|
|
|
|-
|[[Disques Hushush|Hushush]]
|{{CAN}}
|[[Québec (Stadt)|Quebec]]
|Dimitri della Faille
|1998
|
|
|
|
|
|-
|[[Hut Records]]
|{{GBR}}
|
|
|1990
|2004
|
|
|Virgin Records
|
|-
|[[Hwem]]
|{{SWE}}
|
|
|
|
|
|
|
|
|-
|[[Hybris (record label)|Hybris]]
|{{SWE}}
|
|Mattias Lövkvist, John Gadnert und  Kalle Magnusson.
|2004
|
|
|
|
|
|-
|[[Hydra Head Records]]
|{{USA}}
|
|[[Aaron Turner]]
|1995
|2012
|
|
|
|
|-
|[[Hyperdub]]
|{{GBR}}
|
|Steve Goodman alias [[Kode9]]
|2004
|
|
|
|
|
|-
|[[Hyperion Records]]
|{{GBR}}
|
|George Edward Perry
|1980
|
|
|
|
|
|-
|[[Hyperium Records]]
|{{DEU}}
|[[Nürnberg]]
|Oliver Rosch
|1991
|1999
|LC 03132
|
|Sinister Cromwell Corp.
|
|-
|[[Hypertek Digital]]
|{{NGA}}
|
|2face Idibia
|2006
|
|
|
|
|
|-
|[[Hypertension Music]]
|{{DEU}}
|[[Hamburg]]
|Christian Thiel und Irene Bodschwinna
|1988
|
|LC 07526
|[http://www.hypertension-music.de Website]
|
|
|-
|[[Hypnos (label)|Hypnos]]
|{{USA}}
|[[Portland (Oregon)|Portland]]
|M. Griffin
|1996
|
|
|
|
|
|-
|[[Hypnotic Dirge Records]]
|{{CAN}}
|[[Esquimalt]]
|Nicolas Skog
|2008
|
|
|[https://www.hypnoticdirgerecords.com Website]
|
|
|-
|[[Hypnotize Minds]]
|{{USA}}
|
|DJ Paul und Juicy J
|1994
|
|
|
|
|
|-
|[[Häpna]]
|{{SWE}}
|
|
|
|
|
|
|
|
|}

[[Kategorie:Musiklabel|#H]]
[[Kategorie:Wikipedia:Liste|Musiklabel H]]