Datei:Sidney Poitier 1968.jpg
aus Wikipedia, der freien Enzyklopädie
Größe dieser Vorschau: 491 × 599 Pixel. Weitere Auflösungen: 197 × 240 Pixel | 393 × 480 Pixel | 819 × 999 Pixel.
Originaldatei (819 × 999 Pixel, Dateigröße: 286 KB, MIME-Typ: image/jpeg)
Diese Datei und die Informationen unter dem roten Trennstrich werden aus dem zentralen Medienarchiv Wikimedia Commons eingebunden.
Beschreibung
| Beschreibung |
English: Sidney Poitier in For Love of Ivy, 1968. |
| Datum | |
| Quelle | https://www.ebay.com/itm/Sidney-Poitier-1968-For-Love-of-Ivy-Original-Vintage-Still-Photo-J6478/372650907328 |
| Urheber | Unbekannter Fotograf |
Lizenz
|
Dieses Werk ist in den Vereinigten Staaten gemeinfrei, weil es in den Vereinigten Staaten zwischen 1929 und 1977, einschließlich, ohne Copyright-Vermerk veröffentlicht wurde. Sofern der Autor nicht schon eine hinreichende Zeit tot ist, ist es in den Ländern oder Gebieten, die den Schutzfristenvergleich nicht anwenden, wie Kanada (70 pma), China (50 pma, nicht Hongkong oder Macao), Deutschland (70 pma), Mexiko (100 pma), Schweiz (70 pma), urheberrechtlich geschützt. Weitere Erläuterungen auf dieser Seite.
|
 |
Copyright details
Additional source information:
English: This is a publicity still taken and publicly distributed to promote a film actor.
- As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." - Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." - Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." - Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
Dateiversionen
Klicke auf einen Zeitpunkt, um diese Version zu laden.
| Version vom | Vorschaubild | Maße | Benutzer | Kommentar | |
|---|---|---|---|---|---|
| aktuell | 03:56, 12. Jan. 2022 | | 819 × 999 (286 KB) | wikimediacommons>WikiPedant | Using cleaned-up version by FMSKy as base: Removed extra empty background from top portion; dialled down flash reflections on face; converted to greyscale |
Dateiverwendung
Die folgenden 3 Seiten verwenden diese Datei:
