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Séamus Ennis (gälisch: Séamas Mac Aonghusa) (*5. Mai 1919 in Jamestown, Finglas, North County Dublin; DAGGER 5. Oktober 1982) war ein bedeutender irischer Interpret auf den Uilleann Pipes (irischer Dudelsack), Sänger und Sammler traditioneller keltischer Musik.[1] Er war vor allem für sein Spiel auf den Uilleann Pipes bekannt. Er trug wesentlich dazu bei, das Instrument im 20. Jahrhundert wieder bekannt zu machen. Im Rahmen seiner Tätigkeit für die Irish Folklore Commission zeichnete er außerdem rund 2000 irische Lieder und Tänze auf. [2]
Frühe Jahre
Ennis entstammte einer bürgerlichen Familie. Sein Vater James Ennis, ein Beamter, war selbst ein ausgezeichneter Uilleann-Pipes-Musiker und trat zusammen mit zwei Freunden (Frank O'Higgins (Fiddle) und John Cawley (Flöte) im Radio auf. James heiratet 1916 heiratete Mary Josephine McCabe, eine versierte Fiddle-Spielerin aus dem County Monaghan. Sie hatten sechs Kinder: Angela, Séamus, Barbara, die Zwillinge Cormac und Ursula (Pixie) sowie Desmond. James Ennis bildete zusammen mit Frank O'Higgins (Fiddle) und John Cawley (Flöte) das Fingal Trio, welches regelmäßig im Radio spielte.
Sein Vater unterrichtete ihn auch an den Pipes. Nach seiner Schulausbildung arbeitete Séamus ab 1938 beim Verlag von Colm Ó Lochlainn. 1942 wechselte er zur Irish Folklore Commission, einem staatlichen Institut zur Erfassung und Erforschung der irischen Tradition und Kultur.<QUELLE CrossRoots> Von 1942 bis 1947 streifte er entlang der Westküste Irlands umher und sammelte Lieder in den Regionen Kerry, West Munster, Galway, Cavan, Mayo, Donegal sowie den [[Aran-Inseln] und den Hebriden.
Three Candles Press
Colm Ó Lochlainn was editor of Irish Street Ballads and a friend of the Ennis family. In 1938 Séamus confided in Colm that he intended to move to England to join the British Army. Colm immediately offered him a job at The Three Candles Press. There Séamus learned all aspects of the printing trade. This included writing down slow airs for printed scores – a skill which later proved important. Colm was director of an Irish language choir, An Claisceadal, which Séamus joined. In 1942, during The Emergency, shortages and rationing meant that things became difficult in the printing trade. Professor Seamus O Duilearge of the Irish Folklore Commission hired the 23-year-old to collect songs. He was given "pen, paper and pushbike" and a salary of three pounds per week. Off he went to Connemara.
The song collector
From 1942 to 1947, working for the Irish Folklore Commission, Séamus collected songs in West Munster, Galway, Cavan, Mayo, Donegal, Kerry, the Aran Islands and the Scottish Hebrides. His knowledge of Scots Gaelic enabled him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Baile Mhuirne, County Cork was so keen to chat to Séamus on his visits that she wrote down her own songs and handed them over as he arrived, and then got down to conversation. He had a natural empathy with the musicians and singers he met. In August 1947 he started work as an outside broadcast officer with Radio Eireann. He was a presenter and recorded Willie Clancy, Sean Reid and Micho Russell for the first time. There was an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from America to record Irish songs and tunes. The tables were turned as Séamus became the subject of someone else's collection. There is a photograph from 1952/53 showing Jean huddled over the tape recorder while Séamus plays Uilleann pipes.
As I Roved Out
Late in 1951, he joined the BBC. He moved to London to work with producer Brian George. In 1952 he married Margaret Glynn. They had two children, Catherine and Christopher. His job was to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme was called "As I Roved Out" and ran until 1958. Meeting up with Alan Lomax again, Séamus was largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia label.
Full time musician
In 1958, after his contract with the BBC was not renewed, he started doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he was relying totally on his musical ability to make a living. About this time his marriage broke down and he returned to Ireland. He suffered from tuberculosis and was ill for some time. In 1964, he performed at the Newport Folk Festival. His father gave him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Séamus was in between. Séamus was a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first was in Bettystown in 1968, when the society of Irish pipers, Na Píobairí Uilleann, was formed. Breandán Breathnach was playing a tape of his own piping. Séamus asked "What year?" Brendan replied "1948". Séamus said "So I thought". For a couple of hours the younger players performed while Séamus sat in silence. Eventually he was asked to play. Slowly he took off his coat and rolled up his sleeves. He spent 20 minutes tuning up his 130-year-old pipes. He then asked the gathering whether all the tape recorders were ready and proceeded to play for over an hour. To everyone's astonishment he then offered his precious pipes to Willie Clancy to play a set. Willie demurred but eventually gave in. Next Liam O'Flynn (Liam Óg Ó Floinn) was asked to play them, and so on, round the room. The second unforgettable session was in Dowlings' pub in Prosperous in County Kildare. Christy Moore was there, as well as most of the future members of Planxty.
Séamus never ran any school of piping but his enthusiasm infused everyone he met. In the early seventies, he shared a house with Liam O'Flynn for almost three years. Finally he bought a piece of land in Naul and lived in a mobile home there. One of his last performances was at the Willie Clancy Summer School in 1982. He died on 5 October 1982. His pipes were bequeathed to Liam O'Flynn. Radio producer Peter Browne produced a compilation of his performances, called "The Return from Fingal" spanning 40 years.
Commemoration
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Cultural Centre in Naul is additionally named after him. He is also the subject of Christy Moore's song 'The Easter Snow.' This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
Discography
Albums
- The Bonny Bunch of Roses (1959)
- The Ace and Deuce of Piping (1961)
- Forty Years of Irish Piping (1974)
- The Pure Drop (1974)
- The Fox Chase (1974)
- The Best of Irish Piping (1974)
- Irish Pipe and Tin Whistle Songs (1976)
- Feidlim Toon Ri's Castle (1977)
- The Wandering Minstrel (1977)
- The Return from Fingal (1997)
- Two Centuries of Celtic Music (2001)
- Séamus Ennis – Ceol, Scéalta agus Amhráin (2006)
Anthologies (various artists)
- Irish Pipe and Tin Whistle Songs (1994)
- Green Linnet 20th Anniversary Collection (1996)
- Alan Lomax Sampler (1997)
- Traditional Dance Music of Ireland (1997)
In 2009 The Blackbird from The Wandering Minstrel was included in Topic Records 70 year anniversary boxed set Three Score and Ten as track eight on the third CD.
See also
References
External links
- Tribute by Breandán Breathnach [1]
- Seamus Ennis Plays "The Morning Thrush", a reel composed by his father. Video auf YouTube
- Seamus Ennis, Master of the Uilleann pipes Video auf YouTube
- Going to the Well for Water: The Seamus Ennis Field Diary 1942-1946 [2]
Vorlage:Persondata {{DEFAULTSORT:Ennis, Seamus}} [[Category:1919 births]] [[Category:1982 deaths]] [[Category:Irish uilleann pipers]] [[Category:Irish folk singers]] [[Category:Irish tin whistle players]] [[Category:Irish folk-song collectors]] [[Category:Tradition Records artists]] [[Category:RTÉ Radio 1 presenters]] [[Category:20th-century singers]]
- ↑ Michael B. Bakan: World music: traditions and transformations. McGraw-Hill, University of Michigan 2007, ISBN 0072415665, S. 162–168 (Abgerufen am 31 January 2015).
- ↑ Breandán Breathnach: Séamus Ennis: A tribute to the man and his music. Musical Traditions. 1983. Abgerufen im 31 January 2015.
